The only place I've felt was really my home is my cabin up north. There's something in the water there that connects me to that place. There's also this sense of isolation and loneliness about it that I've never been able to shake.

What can I say? I hate Bush; I despise him and his entire administration, everything he represents and everything he has tried to do, not only internationally, which is horrific, but domestically as well. In my country the atmosphere is poisoned. Unbreathable for those of us who are not on the right. So thank you for inviting me to this festival and allowing me to leave there for a few days.

So much of my sense of who I am is tied to mothering. When they left home, I fell into a huge, empty, black hole. Your children are grown and your career has slowed down - all the stuff that took up so much attention is gone, and you're left with expansive time and space.

To stay interested in acting, I have to keep trying stuff I've never done before.

I like to work in costumes, makeup, and hair that allow me tremendous freedom.

Usually, you get a script and you have the whole story. All the acts are there, for a play. You know what happens in the first, second and third acts, and you know how it starts, where you go and where it finishes. [With American Horror Story: Asylum], it's a whole new experience. I don't know where it's going, and I don't know what's going to happen next. It's been an interesting way to work. It's made me work in a much more fluid, braver way, just taking every chance that comes along.

For me, acting was always a way to explore emotions - to dip into the well and really try to reach rock bottom down there. That was the most exciting part of it. I hadn't found anything that really allowed me to do that until I came upon acting.