The worst is when I talk myself into something. Sometimes you take things because you want to work with a certain actor, or you want to work with a director, even if the script or the part's not that great.

What I love about photography, and it's the same thing I love about acting, really, is that it forces you, like, right into the moment, where you can't be distracted, where you can't be, like, thinking about other things or ahead of yourself or behind yourself.

I've been thinking a lot about next year, which will be the first time in 25 years that I don't have a child at home.

The worst is when I talk myself into something. Sometimes you take things because you want to work with a certain actor, or you want to work with a director, even if the script or the part's not that great.

So much of my sense of who I am is tied to mothering. When they left home, I fell into a huge, empty, black hole. Your children are grown and your career has slowed down - all the stuff that took up so much attention is gone, and you're left with expansive time and space.

I like playing characters who are out there on the edge, where they can explode at any moment or fall off the precipice.

The only place I've felt was really my home is my cabin up north. There's something in the water there that connects me to that place. There's also this sense of isolation and loneliness about it that I've never been able to shake.