I had seen "Force Majeure" and I just love that movie so much. And I really wanted to artistically give a little hello to the filmmakers, and that kind of back and forth dialogue between artists that say, "I loved your movie. I was influenced by your movie. If I didn't have this job, I wouldn't be thinking of that. Do my TV show and then one day I'll make a movie where I can play with some of the visual themes in "Force Majeure."

I think people don't really actually talk about what their real issue is, which is that white, cis men - not straight men, but cis men - have had their hands on the narrative ever since filmmaking has begun.

The only way things will change will be when we're all wilder, louder, riskier, sillier, unexpectedly overflowing with surprise.

It will feel boring when you're bingeing.

I haven't made art about Israel. There's a covert subtext of Jewish identity in my artwork.

Many of our holidays revolve around traumas that happened to our people and how we must remember them in specific ways. The way these stories are told and what we take away from them can change, and do in certain contexts, but overall I am not sure whether Jews want to let go of the narrative of the victim.

I'm like a bit of a feminist, I have kinds of highly political dreams. I'm a dreamer about taking on the patriarchy and all that kinda stuff. So I actually have the secret belief that there are enough people who would consider themselves quote-unquote "other" to support my particular taste.