I haven't made art about Israel. There's a covert subtext of Jewish identity in my artwork.

Many of the trans women who are in our world are also in Caitlyn's Jenner world. And yes I've definitely spoken to her multiple times, talked to her, socialized with her. It's a small community when all is said and done, the trans community in Los Angeles. So everybody really knows each other and everybody's in contact.

We do want the freedom to move scenes from episode to episode to episode. And we do want the freedom to move writing from episode to episode to episode, because as it starts to come in and as you start to look at it as a five-hour movie just like you would in a two-hour movie, move a scene from the first 30 minutes to maybe 50 minutes in. In a streaming series, you would now be in a different episode. It's so complicated, and we're so still using the rules that were built for episodic television that we're really trying to figure it out.

I think people don't really actually talk about what their real issue is, which is that white, cis men - not straight men, but cis men - have had their hands on the narrative ever since filmmaking has begun.

Sometimes it seems like America is the Christian and Israel is the little Jew they love in this fetishistic way. Like, you're my little sister and I'll kick anyone's ass that messes with you. But when we're alone and no one's looking I'll harass you.

There are multiple shows of record about a late-transitioning patriarch and how the kids are affected, and there are multiple narratives. That narrative on "Keeping up with the Kardashians," the answer is, they're pretty much fine. It's the same sort of story we were telling which is, you know what? Everybody's okay.

If you go to Europe, public bathrooms have any-gender sink areas and stalls for everyone to use. This is completely reasonable. It potentially involves the destruction of the urinal industry, which I think people would be happy to see go away.