My mom has kind of been more of the emotional support system. One time I was really feeling all out of it, just dealing with a lot of cooks in the kitchen and adjusting to what it means to be in the music industry, and I called her. One of the first things she said to me was 'You have to be thankful that these people even like you, no one liked me, at all, I was not really accepted for a very long time.'

I think the lion, besides the elephant, was the one animal that I just started thinking about so much.

I find that the quest to be perfect and make perfect music is like a black whole. I realize that you can come with the intention to capture a vibe and use a formula, but you have to accept that most of the time its not going to be what you envisioned and you might manifest something better. I think that's been the hardest thing to wrap my head around that most ideas we go for ends up sounding different. I think art in general should be about enjoying the process and the experience. All that matters is if you feel the music and it captures the element your going for.

I feel like my dad was the more artistic one, creating his own thing, loving to be around people, and all this stuff, doing exciting things, and my mom was more of the performer.

You know, you always want to just do your own thing - I mean some people want to be exactly like their parents - Ibut I wanted to do my own thing and I ended up doing a kind of mix of my mom and dad.

It's definitely evolved from where it started - for 'Treat Me Like Fire,' I wanted something extremely wild because I was going to be running through the woods and I wanted it really nappy and crazy.

More than anything, it's been a transition into embracing my destiny. I have everything around me to be able to do this properly. Whether or not I was hiding from that early on, I think now it's great to feel that way. It's just the journey.