It's definitely evolved from where it started - for 'Treat Me Like Fire,' I wanted something extremely wild because I was going to be running through the woods and I wanted it really nappy and crazy.

There's been so many, I think [Lucas Goodman and I] share this, but for us, Afropunk was a really big moment just because it was in New York.

Being vulnerable and strong is a complicated thing, but that's who we are.

I saw myself traveling with a company or making my own work and being a little weird. I wasn't thinking about the business side of anything, I just knew that I loved dancing.

I was shaped in college into a performance artist. I never really thought of myself as being one singular thing. I think of myself as an artist and I feel no restrictions when it comes to how I want to portray what I want to portray.

I wanted to fight to get into the front. I was just hungry to do it.

The women in my family are just strong women who do their own thing, so I knew I needed to have individuals like that.