I would feel weird having someone style me. It would have to be a collaboration. I've had those experiences and every time it happens I don't feel good. What's the point of putting all this work into something and then when you present it, it's not you?

Architects see the world a certain way, and cooks see and smell the world a certain way. [Dancing ] is always been my lens, what I use to see.

Lion Babe, on a work day, is definitely a process. I obviously could do it by myself, but I definitely prefer not to. It's a lot of hair. I used to start with little pieces, and then it just got bigger, and bigger, and bigger.

Making that statement of 'I'm not afraid to be untamed.' It's just kind of the marriage of those two things.

We had spent a lot of time in London [with Lucas Goodman], which has been amazing, but also it was kind of a homecoming and we felt so surrounded by a specific community of people who are just so New York, so unapologetically themselves and so creative.

To be on stage, to be sharing a stage with Lauryn Hill, Grace Jones, SZA, Kelis, and all these incredible women, I'm like 'When did this happen?'

It's definitely evolved from where it started - for 'Treat Me Like Fire,' I wanted something extremely wild because I was going to be running through the woods and I wanted it really nappy and crazy.