The established characters are easy to recall. I don't know why, but they come back to me instantly when I need them. It's the one-time-only characters that I don't remember where the voice I used came from.

A lot of times people will say, 'Well, gosh, you're really good; you should try acting!' And I say, 'Come on! I'm thesping my little guts out over here.'

I think [Winnie the Pooh] just looks at the world through honey-colored glasses, and everything is honey-fied and sweet for him, and that's not a bad outlook.

I've done so many other projects where you're in a room with a reader and you're acting your lines out: 'We have to get out of here! Any minute the building will explode!' And then the reader says: "Yes...we have to get... out of here." So it's not easy to be in the moment in that kind of situation. Reading with the entire cast in the room for The Clone Wars makes the experience much more organic and I love that.

Sometimes at drive-thrus I go into Winnie the Pooh and ask for a jar of honey.

I'm usually the guy who says, 'Bruce Willis and Denzel Washington in the Siege'!

Everybody can identify with somebody in the Hundred Acre Wood.