The established characters are easy to recall. I don't know why, but they come back to me instantly when I need them. It's the one-time-only characters that I don't remember where the voice I used came from.

I have four daughters, with the two youngest being four years old and a year and a half. When one of my older daughters was in sixth grade, a classmate brought in their talking Winnie the Pooh doll for show and tell, so the next week my daughter one upped her classmates and brought me to school in for show and tell.

I remember as a kid watching TV and seeing Mel Blanc doing his voices and Paul Winchell doing his ventriloquism and thinking, 'Those guys are having a good time. I want to do that.'

A lot of times people will say, 'Well, gosh, you're really good; you should try acting!' And I say, 'Come on! I'm thesping my little guts out over here.'

Sometimes I'll have a brief window of mini-fame thanks to 'Access Hollywood.' But it only lasts a couple of days, and then no one recognizes me anymore.

I had to be on the set for 'Who Framed Roger Rabbit' because my character was interacting with Bob Hoskins. It's a lot of 'hurry up and wait.' So there I was, at 2 a.m., sitting in a trailer at Griffith Park trying to stay awake. And I said to myself, 'This stinks.' The way I do it is better. I go into the studio about 10 a.m. There's no makeup to worry about. I can wear whatever I want. As soon I get there, I'm good to go. I record my stuff and go home.

It was cool to have Mark [Hamill] ask me to do all these voices for him like he was a fan. I was like, "You're not meeting me, I'm meeting you."