I get to be one of the torch-bearers for a new generation.

Everybody can identify with somebody in the Hundred Acre Wood.

Sometimes at drive-thrus I go into Winnie the Pooh and ask for a jar of honey.

I've done so many other projects where you're in a room with a reader and you're acting your lines out: 'We have to get out of here! Any minute the building will explode!' And then the reader says: "Yes...we have to get... out of here." So it's not easy to be in the moment in that kind of situation. Reading with the entire cast in the room for The Clone Wars makes the experience much more organic and I love that.

It was cool to have Mark [Hamill] ask me to do all these voices for him like he was a fan. I was like, "You're not meeting me, I'm meeting you."

A lot of times people will say, 'Well, gosh, you're really good; you should try acting!' And I say, 'Come on! I'm thesping my little guts out over here.'

I think [Winnie the Pooh] just looks at the world through honey-colored glasses, and everything is honey-fied and sweet for him, and that's not a bad outlook.