I had this idea for a long time to make a film about a poet in Paterson named Patterson. I wanted him to be working class. Eventually I thought a bus was a perfect visual way to move him, to drift him through the city, to have a measured kind of routine lifestyle. And all these things kind of congealed into the film "Paterson" eventually.

I like marginal characters, I like real people. I learn more from talking to my plumber when he comes to fix my toilet than I do from meeting a movie star. I think my movies are in the same vein as that.

I like to rehearse with the actors scenes that are not in the script and will not be in the film because what we're really doing is trying to establish their character, and good acting to me is about reacting.

I have a real respect for tobacco as a substance, and it just seems very funny how the Western attitude is, "Wow, people are addicted to this, think of all the money you can make off it."

I always think the Sex Pistols and the Ramones as very, very important because they stripped things down.

I will say it's great - that Method Man - Cliff Smith - plays a rapper in a laundromat who is working out some lyrics sort of to the rhythm of a washing machine. And something about hip-hop culture and hip-hop is the ability to use current language and slang and reference details of life is very, very strong for me.

I realized, "Gee, you're making the same film over and over here." I just kept making them for my own amusement, but also with this thought in my head that I could collect enough songs to make an album out of it. I am attracted to non-dramatic moments in life. The idea of a coffee break is not something you'd think of as being an important part of your day, so these shorts were like little free zones in which we could just play around.