Some people would find just the rhythm of my films alone to be a nightmare; they'd probably just fall asleep because they want something quicker. Other people fall into it and it works for them like a dream.

I think people should have the right to bear arms, but they should be limited as to what kinds of guns they can have.

I had this idea for a long time to make a film about a poet in Paterson named Patterson. I wanted him to be working class. Eventually I thought a bus was a perfect visual way to move him, to drift him through the city, to have a measured kind of routine lifestyle. And all these things kind of congealed into the film "Paterson" eventually.

It's hard to get lost if you don't know where you're going.

I like actors who just become that person and then react, and Adam [Driver] is completely reactive in that way. So every day working with him was really a pleasure. And he's in almost every scene in the film, so the poor guy had to work the - almost the entire 30 days of our film shoot. But, yeah, he was really a pleasure, and I really love what he - how he embodied this character.

I think of poets as outlaw visionaries in a way.

Film relates to almost every other form of expression, but poetry is a bit abstract in its strength and sometimes even the white spaces on the page are evocative almost as much as where the text is. Certain poets have played with that.