My films are about the little things that happen between people that are sometimes far more valuable and insightful than the big dramatic things that happen.

Making a film that is in seven days of one week is not a new idea.

Consequently, I get inspiration from all over the place. But it's not like a calculated thing on my part, or a way that I see myself, you know? I'm just interested in things that move me, and I don't care where they come from. In fact, I'm interested if they come from a place I wouldn't expect, or would seem foreign to me on some level.

Film relates to almost every other form of expression, but poetry is a bit abstract in its strength and sometimes even the white spaces on the page are evocative almost as much as where the text is. Certain poets have played with that.

I like to rehearse with the actors scenes that are not in the script and will not be in the film because what we're really doing is trying to establish their character, and good acting to me is about reacting.

When I get depressed, or anything, I go 'think of all the music I haven't even heard yet!' So, it's the one thing. Imagine the world without music. Man, just hand me a gun, will you?

My films have sort of amateur elements, a naive quality, yet they have some sophisticated quality, sometimes the rhythm is kinda elegant.