You've got to know much more than the mere technicalities of notes. You've got to know sounds and what goes between the notes.

A lot of ppl are making more money than they ever had nowadays - so when they get their flat they can, they always find themselves with an extra room.

Little Wing is like one of these beautiful girls that come around sometimes ... you play your gig; it's the same thing as the olden days, and these beautiful girls come around.. you do actually fall in love with them because that's the only love you can have. It's not always the physical thing of "Oh, there's one over there ...", it's not one of those scenes. They actually tell you something. They release different things inside themselves ... "Little Wing" was a very sweet girl that came around that gave me her whole life and more if I wanted it.

If it was up to me, there wouldn't be no such thing as the establishment.

The way I write things, I just write them with a clash between reality and fantasy mostly. You have to use fantasy to show different sides of reality; it's how it can bend.

Is this love, baby, or is this just confusion?

I try to use my music to move these people to act.