It's like, say you're a dancer and you've been studying modern dance your whole life so you're used to a certain aesthetic of music or motivation or influence, if I send you something that you're totally not used to or don't understand, rarely does that work. On the average, you're not gonna feel that and it won't be you. You have to be in there.

My comfort zone musically, I wouldn't necessarily say I have one now. But, when I did have one, I can definitely identify that it was sampling. I had to identify it honestly as sampling because I started to become dependent on using samples in order to make a track rather than being dependent on myself to make the track because I maybe didn't trust myself enough then.

If I'm good at something, I'm good at something, and if I'm bad at something, I'm just bad at something. Gender shouldn't have anything to do with any of my work or anything I produce or create.

I love to be challenged. I like to be in places where I don't have easy ways out; it's either I do it or I don't and, in my mind, I don't really have the option of don't.

I like somebody I can consider edgy, because, I also find that when people see me; the first thing they might think about me, musically, is that I rap or make beats, in the sense of trap or hip-hop or whatever, and when they hear what I actually create, they'll often be like, 'Wait a minute, I wasn't expecting this'.

It's like, say you're a dancer and you've been studying modern dance your whole life so you're used to a certain aesthetic of music or motivation or influence, if I send you something that you're totally not used to or don't understand, rarely does that work. On the average, you're not gonna feel that and it won't be you. You have to be in there.

There's a lot of failing. Failure to me is a lot more important than success because the learning from it is so important. You have to be willing to fail, to step outside of yourself and you can't have a comfort zone. I had to learn that and I'm still learning that.