It's like, say you're a dancer and you've been studying modern dance your whole life so you're used to a certain aesthetic of music or motivation or influence, if I send you something that you're totally not used to or don't understand, rarely does that work. On the average, you're not gonna feel that and it won't be you. You have to be in there.

I suppose I like to give people something to talk and think about. I can just be the person that kind of put a message in the bottle to see where it ends up.

Every artist, to me, should know why they're doing what they're doing. You shouldn't create simply because it sounds good to you. That's not a real response to me.

There's a lot of failing. Failure to me is a lot more important than success because the learning from it is so important. You have to be willing to fail, to step outside of yourself and you can't have a comfort zone. I had to learn that and I'm still learning that.

If I'm good at something, I'm good at something, and if I'm bad at something, I'm just bad at something. Gender shouldn't have anything to do with any of my work or anything I produce or create.

Happy is already a state, so if you create something that's happy... OK, wonderful... but when you're in a place of distress or trauma, there are so many more directions that can go in to me. Something that's happy can only truly go in one direction, whereas with something like distress, anger, trauma, there are so many more interesting possibilities that those emotions can create.

I love to be challenged. I like to be in places where I don't have easy ways out; it's either I do it or I don't and, in my mind, I don't really have the option of don't.