I'm not a big crime reader, but I'm reading Michael Connelly's 'The Reversal.' I'm going back to his novels. I'm also reading Keith Richards' 'Life.' I'm always fascinated by the transition from the innocent late '60s and early '70s and the youth culture becoming an industry.

My father grew up in Brooklyn, N.Y., with my grandparents. In Norwegian my name is pronounced 'Yoo' but my father used to call me 'Joe.'

Everyone knew that fat had become the new cancer, yet they bellyached about the dieting hysteria and applauded the "real" women's body. As though doing no exercise and being overfed was some kind of sensible mold.

I think I was righteous. I saw myself as the good guy in my own movie. I didn't get into many fights when I was younger, but when I did, they were righteous. I always thought I was defending something good. I fought for friends who couldn't fight for themselves. I was still being selfish and arrogant, but I was focused on what was fair and unfair.

I was a really bad taxi driver. I only collided twice but it was one time too much.

Crime fiction is a genre for writing stories about people - about conflict, about guilt, about passion, about the human condition.

Thanks to the success of Henning Mankell and Peter Hoeg, there wasn't the same stigma attached to writing genre thrillers in Scandinavia as there was in many other cultures. Quite the opposite, in fact.