In other words, it is what I do in the world that matters. When I traveled for three months in the Mideast, the places I wanted to go back to were Turkey and the Gaza Strip. It has to do with what Gandhi said: he found God in the eyes of the poor. Those are the places which were so moving that they were just unbearable.

I never pretended to be rock star. I would make a lousy rock star. I don't have the right voice for it. I don't have the "sex, drugs and rock 'n' roll" spirit. But the greatest flattery in the last couple of years is being called a "badass" by young singers.

Somebody else does the rigor and then I listen. I have an assistant, and my manager, and other people who hunt and find and send it to me, and then I just figure out which ones I can do justice to.

That was sheer luck that it [being immersed into folk scene] happened when my voice began to develop. I don't know exactly what would have happened if I hadn't been alive and well and really lively in the Cambridge scene. But (the folk scene) was, and I fell into it absolutely naturally in the little coffee shops, and pretty soon it was Newport and then it was an overwhelming response internationally, actually.

If you're gonna sing meaningful songs, you have to be committed to living a life that backs that up.

I was addicted to rhythm 'n' blues pretty much directly into folk music. I had my little 45s of mostly black artists. That was as close as I got. I've never listened to heavy rock or stuff that jangles my nerves, because I'm already jangled.

The longer you practice nonviolence and the meditative qualities of it that you will need, the more likely you are to do something intelligent in any situation.