You know, I think I'm more of a micro-person, so to me, the context and the framework of trying to do what you love and feel passionate about, in supporting your family in that way, is the most important thing to me.

It was fun; you know, at this point in my life it's like, I want to do stuff that's meaningful.

I love Chicago. It's such a great town, and it's got great culture and great history, and it's not as extreme as LA or New York, and it's just- it's hard for me for work, because I don't live and work in the same place and that's tough. But I'm- I love it.

In L.A., it's easy to get caught up in what you look like or how much money you have, and those aren't values I want my kids to adopt.

If you're in this business, like any high-stakes business, the highs and lows can make you a manic-depressive person, if you weren't that way to start with. 'Cause it's just so crazy on your psyche. A lot of it has to do with people thinking they're greater than someone else.

Sometimes I sing and dance around the house in my underwear. Doesn't make me Madonna. Never will.

I think that a lot of women get out of the business because it's so not family-friendly. And so women that could be in there making good women-roles don't do it, 'cause they're smart and get out. But I think there is a consequence to that. I think us gals need to stay in and just change the way it works, so men aren't being workaholics and avoiding life and relationships, and they can make films in a reasonable amount of time, so you can have a family and a life outside of work. And have more balanced, content-driven, enjoyable movies.