Families of privilege and money would have harps in their parlors, and their cultured daughters would learn to play. It's got such a strange history. But that wasn't the context that I learned it in, so the inherent friction between that history and the more humanist folk-y history wasn't in my conscience at all.

There's something fundamental to the harp that has retained its appeal my whole life. It's an instrument I am just in love with.

I'm not a wanderer, which is funny because I'm on tour half the time. I'm a home, hearth and family kind of person.

I don't look at people's expressions, because I still get nervous when I play, especially when I first put the harp up there. I just try to tune - it takes me a half-hour to tune, and I get nervous if I look at anybody when I do it.

Families of privilege and money would have harps in their parlors, and their cultured daughters would learn to play. It's got such a strange history. But that wasn't the context that I learned it in, so the inherent friction between that history and the more humanist folk-y history wasn't in my conscience at all.

I want to make music that somehow connects to the things that I love in America music.

I started playing harp about fourteen years ago.