Lyrics are very different. There is a clear line between that and a poem. Something that has been a source of great excitement and delight for me is this idea that I get to rhyme.

What a woman does is open doors. And it is not a question of locking or unlocking.

I have a recording that I did of instrumental songs.

Families of privilege and money would have harps in their parlors, and their cultured daughters would learn to play. It's got such a strange history. But that wasn't the context that I learned it in, so the inherent friction between that history and the more humanist folk-y history wasn't in my conscience at all.

The way that words fit together is always interesting to me. I love words.

It broke my heart when I learned the moon had been passing the sun’s light off as its own.

I am not doing something that it is experimental music in relation to classical music.