Losing Chloe had been like reading a wonderfulook only to realize that all the pages past a certain point were blank.

I think the 'New York Times' reviews overall tend to overlook popular fiction, whether you're a man, woman, white, black, purple or pink. I think there are a lot of readers who would like to see reviews that belong in the range of commercial fiction rather than making the blanket assumption that all commercial fiction is unworthy.

I believe that having something to hope for - even if it's just a better tomorrow- is the most powerful drug on this planet.

All teenagers knew this was true. The process of growing up was nothing more than figuring out what doors hadn't yet been slammed in your face. For years, parents tell you that you can be anything, have anything, do anything. That was why she'd been so eager to grow up-until she got to adolescence and hit a big fat wall ofreality. As it turned out, she couldn't have anything she wanted. You didn't get to be pretty or smart or popular just because you wanted it. You didn't control your own destiny, you were too busy trying to fit in.

There are legions of us, I realized. The mothers who have broken babies, and spend the rest of our lives wondering if we should have spared them. And the mothers who have let their broken babies go, who look at our children and see instead the faces of the ones they never met.

I think that's probably the most devastating thing - when someone who is larger than life winds up a shadow of themselves in a hospital bed.

Just because you keep something a secret doesn't mean it never happened, no matter how much you want that to be true.