The camera is really the play-by-play person.

You need to have a great, strong bladder to call professional sports because, especially in football where, you know, you don't know how long a half's going to last and then the timeouts happen and a incomplete pass.

You have to make that stand out from the rest of the three hours. There are times when I'm having fun and being loose, and there are times when I'm ultra serious - calling the Giants/Patriots in the Super Bowl is a lot different than calling the Giants/Cubs game last Saturday. There are different levels of intensity, and I try to respect that when I'm doing it.

You have to be true to the game you're covering, whether its being lite at times - I certainly try to be that way - but it is limiting because you're fitting it in around what's going on in the game.

It's a different world for those of us who are doing this for a living. Certainly a lot different than my dad had to deal with when he was calling games on a national level for CBS. It's just a different world. I'm not saying it's better or worse, there's just a lot more access.

I've met Jon Glaser who has a show on Adult Swim call Delocated and he's the main writer we hired for the show. That's really my brand of humor, I would say.

One of my best friends is Paul Rudd, and he's been in just about every one of Judd Apatow's movies.