For artists like me, I think the times that just say the 80's alone, you didn't have to worry about getting twenty-five thousand Facebook followers. You didn't have to worry about every club, every venue you play, where the venues say well you know can you put up this video, put up that Facebook, put up... Nowadays it's really like you just can't be a musician alone.

Nowadays blues in particular has a wide, wide, wide, wide net of everything that's called blues. I think if somebody's coming to it in the last ten years or whatever, or even fifteen years, what their experience is what is called blues is different from mine. I have to expand my range of what's been called the blues. I think somebody who's new to it would have to go back and to see what is called blues now, where it came from. If that makes sense.

For artists like me, I think the times that just say the 80's alone, you didn't have to worry about getting twenty-five thousand Facebook followers. You didn't have to worry about every club, every venue you play, where the venues say well you know can you put up this video, put up that Facebook, put up... Nowadays it's really like you just can't be a musician alone.

At home in the states, I think there's a tendency in the states to go for the latest, greatest thing. The latest, greatest is the latest greatest. I think when you're talking about France, England, things like that, they look for the history of an artist and they go back when it comes to music like this anyway. They will go back a little bit further. I think the United States is very knowledgeable and it's a good place to play.

I'm just a restless soul musically.

I like to say that I had a really good musical education because it was inclusive of all styles of music and I like it like that.

Nowadays it's hard to get somebody to invest the time - everybody wants to be famous rather than be a good musician.