Nowadays blues in particular has a wide, wide, wide, wide net of everything that's called blues. I think if somebody's coming to it in the last ten years or whatever, or even fifteen years, what their experience is what is called blues is different from mine. I have to expand my range of what's been called the blues. I think somebody who's new to it would have to go back and to see what is called blues now, where it came from. If that makes sense.

Some of the best advice I was given was that me doing a bad version of me is better than me doing a good version of someone else.

Nowadays it's hard to get somebody to invest the time - everybody wants to be famous rather than be a good musician.

I know that for category purposes, people have to lump certain artists in with genre that they make their name or their bones in. Nobody can tell me that Taj Mahal is pure blues. Nobody can tell me that Mike Bloomfield was pure blues. It was a lot of other things going on as well.

I've worked with a lot of people and I like to play with people when it's fun, and people that I have fun with independent of music, do you know what I mean? Where you can just joke and kid around, because you can joke and kid around with somebody and when you get in the pressure cooker of the studio then you can it's just something.

At home in the states, I think there's a tendency in the states to go for the latest, greatest thing. The latest, greatest is the latest greatest. I think when you're talking about France, England, things like that, they look for the history of an artist and they go back when it comes to music like this anyway. They will go back a little bit further. I think the United States is very knowledgeable and it's a good place to play.

I like to say that I had a really good musical education because it was inclusive of all styles of music and I like it like that.