Potluck Supper with Meeting to Follow is a marvel, deftly examining the connections between art and everyday life. Andy Sturdevant's lively, unique inquiries into trust fund kids, co-opted flags, gubernatorial portraits, art in second-tier cities, and Upper Midwestern esoterica, brim with both wit and humor.

Maybe that's why people have friends at all. Not because they like them so much but because they don't make them feel so much worse.

I always feel super uncomfortable when it's like ah, there probably has to be a sex scene. I feel really bad and then always look around to see if anyone is watching me while I'm writing. I want to apologize to people who have to read those sex scenes, but I feel like it's part of the characters life, it's important.

I don't like the fact that no one has any imagination anymore. It doesn't pay to be a dreamer because all they really want you to do is answer the phone. Nobody wants you to think about anything new or use your brain or make anything interesting because everything important has already been made. America is over; it's done being brilliant.Everything genius has already been built, like all the great works of art have already been produced.

It is what we see when we imagine what the afterlife must be like: our happiest triumphs, our most sincere moments, stolen from the seam of our lives, a respite just before the onset of imminent tragedy.

I'm kind of interested in learning to learn and grow and challenge myself. I think I've been very fortunate in that my books are pretty different from one novel to the next. There's a lot of things that are similar but in terms of tone and the scale and how they interact with history and just the different styles as well.

Sex scenes in books are always like first person, from this male perspective and just about how awesome he is. It feels like such a fantasy.