The more I write, the more I've come to realize that books have a different place in our society than other media. Books are different from television or film because they ask you to finish the project. You have to be actively engaged to read a book. It's more like a blueprint. What it really is, is an opportunity... A book is a place where you're forced to use your imagination. I find it disappointing that you're not being asked to imagine more.

Above the dirt of an unmarked grave and beneath the shadow of the abandoned refinery, the children would play their own made up games: Wild West Accountants! in which they would calculate the loss of a shipment of gold stolen from an imaginary stagecoach, or Recently Divorced Scientists! in which they would build a super-collider out of garbage to try and win back their recently lost loves.

The world of evil is only as evil as we allow it to be.

[Sex] is really awkward. You know you have expectations and then it's this great moment of connection and it's a surprise. But that's what so exciting about it is that sense of surprise.

I always feel super uncomfortable when it's like ah, there probably has to be a sex scene. I feel really bad and then always look around to see if anyone is watching me while I'm writing. I want to apologize to people who have to read those sex scenes, but I feel like it's part of the characters life, it's important.

Potluck Supper with Meeting to Follow is a marvel, deftly examining the connections between art and everyday life. Andy Sturdevant's lively, unique inquiries into trust fund kids, co-opted flags, gubernatorial portraits, art in second-tier cities, and Upper Midwestern esoterica, brim with both wit and humor.

I was getting close to thirty and was trying on the idea of becoming more mature. I was reading more. I had gone out and bought a lot of shirts.