I think I'll try to keep working in film for a little bit. There's something still kind of magical about it, that I don't want to let go of.

I learn a lot as a director from acting in other people's films and just in general. I want to try and be as involved in the art of filmmaking as possible. I feel that the only way to really do that is to take on as many roles as possible, whether it be as an actor, an editor, a director, a cinematographer. Basically, I like to help and be involved, so anything anybody asks me to do, my first reaction is to say "Yes."

Rather than look at a marriage as two people morphing into one thing, you could see two individuals who are choosing to form a partnership.

I think in general I personally have a tendency to protect other people's feelings, and I've noticed that becomes a major hindrance to communication. It's better to just be honest, even if it's painful.

There are different levels of scripting that we all use; I think I'm the most improvised of the three, and probably Andrew's the most written. But all of that is in pursuit of similar things, and I think that we kind of recognize that in each other.

My directing is really weird. Everything is based on whether it's working or not. I don't try to fix something if it's not working, I'll just change it.

There's something really nice about missing the person you're with. To have someone be apart enough to force independence and to also look forward to seeing that person.