I think I'll try to keep working in film for a little bit. There's something still kind of magical about it, that I don't want to let go of.

The really cool thing is all about being able to take your movie around and show it. It puts you in direct contact with people who are like-minded and interested in similar things. I think the film festival circuit has certainly helped to foster the community.

In the 10 years that I've been a professional filmmaker, the film part of the film industry is really disappearing, right in front of our eyes.

The more that I work with people that I don't know, the more I invite somebody in who's potentially going to really hate being there.

There are different levels of scripting that we all use; I think I'm the most improvised of the three, and probably Andrew's the most written. But all of that is in pursuit of similar things, and I think that we kind of recognize that in each other.

I do think there's a smaller audience that's looking for something that's a little more adult and a little more nuanced [than many Hollywood movies]. At the same time, I think everyone who's making movies hopes to appeal to the widest audience possible.

I don't have an agent. I don't take meetings or anything like that, so I don't really know what's out there. I'm not closed off to anything, but I'd just have to ask myself at every step if it's worth it.