There are different levels of scripting that we all use; I think I'm the most improvised of the three, and probably Andrew's the most written. But all of that is in pursuit of similar things, and I think that we kind of recognize that in each other.

I'm usually two projects ahead. It's hard for me because I don't have a really long attention span.

My directing is really weird. Everything is based on whether it's working or not. I don't try to fix something if it's not working, I'll just change it.

Rather than look at a marriage as two people morphing into one thing, you could see two individuals who are choosing to form a partnership.

In the 10 years that I've been a professional filmmaker, the film part of the film industry is really disappearing, right in front of our eyes.

I'm interested in taking things from my relationship that I don't see on screen - or that I feel like that could be useful or helpful if it were out in the open - and trying to put that in the movies as much as possible.

There's something really nice about missing the person you're with. To have someone be apart enough to force independence and to also look forward to seeing that person.