Most of my horror inspiration is really older stuff and really new stuff.

I learn a lot as a director from acting in other people's films and just in general. I want to try and be as involved in the art of filmmaking as possible. I feel that the only way to really do that is to take on as many roles as possible, whether it be as an actor, an editor, a director, a cinematographer. Basically, I like to help and be involved, so anything anybody asks me to do, my first reaction is to say "Yes."

There are different levels of scripting that we all use; I think I'm the most improvised of the three, and probably Andrew's the most written. But all of that is in pursuit of similar things, and I think that we kind of recognize that in each other.

I think in general I personally have a tendency to protect other people's feelings, and I've noticed that becomes a major hindrance to communication. It's better to just be honest, even if it's painful.

My directing is really weird. Everything is based on whether it's working or not. I don't try to fix something if it's not working, I'll just change it.

Most of my horror inspiration is really older stuff and really new stuff.

I don't have an agent. I don't take meetings or anything like that, so I don't really know what's out there. I'm not closed off to anything, but I'd just have to ask myself at every step if it's worth it.