I don't have an agent. I don't take meetings or anything like that, so I don't really know what's out there. I'm not closed off to anything, but I'd just have to ask myself at every step if it's worth it.

There's something really nice about missing the person you're with. To have someone be apart enough to force independence and to also look forward to seeing that person.

I always loved the work. As soon as I finished a movie, the most exciting thing to do was to try to jump into the next one. How I feel about it is that I learned a lot, so I'm grateful that I learned so much, at such a young age, rather than in my more adult professional career.

For a lot of people, you get cramped making decisions together and living together and every other thing that starts to happen. I just think you have to be vigilant in the relationship to carve out space for yourself. And a lot of that requires knowing what you need and communicating that to your partner, which is hard.

I think there's been a gigantic shift in the way we talk to each other, and the way that we communicate with each other. So as a filmmaker, the stuff's always been really interesting to me, and I sort of considered a lot of my films horror films, the ones that were relationship dramas, because I feel like it was very easy to look at modern communication and the Internet and cell phones and all that stuff as horror movies, basically.

I think I'll try to keep working in film for a little bit. There's something still kind of magical about it, that I don't want to let go of.

In the 10 years that I've been a professional filmmaker, the film part of the film industry is really disappearing, right in front of our eyes.