We're looking for a certain kind of realism or naturalism, and we go about it in different ways, but I think we're all striving for the same end result, which is to capture the patterns of conversations and how people interact in a very realistic way.

In the 10 years that I've been a professional filmmaker, the film part of the film industry is really disappearing, right in front of our eyes.

I learn a lot as a director from acting in other people's films and just in general. I want to try and be as involved in the art of filmmaking as possible. I feel that the only way to really do that is to take on as many roles as possible, whether it be as an actor, an editor, a director, a cinematographer. Basically, I like to help and be involved, so anything anybody asks me to do, my first reaction is to say "Yes."

There are different levels of scripting that we all use; I think I'm the most improvised of the three, and probably Andrew's the most written. But all of that is in pursuit of similar things, and I think that we kind of recognize that in each other.

I don't have an agent. I don't take meetings or anything like that, so I don't really know what's out there. I'm not closed off to anything, but I'd just have to ask myself at every step if it's worth it.

I do like the idea of doing something different, maybe doing something that's more like a genre film. And there are certain actors that I'd like to work with that would go along with working with a bigger budget.

I'm interested in taking things from my relationship that I don't see on screen - or that I feel like that could be useful or helpful if it were out in the open - and trying to put that in the movies as much as possible.