If you're a working mom, you're still expected to be a super-mom at home, buy organic food, put dinner on the table every night, and do all the research into preschools. It's really hard.

I've done a lot of movies that don't have any music in them, and I've always sort of had a kind of wary attitude about music because it can be so manipulative, and also because with pop music, I feel like everybody kind of has their own relationship to songs.

It's really easy to finish a movie and sort of immediately dive into the next one, because I love working with actors so much and being on set, my inclination is to try to get back to that as soon as possible. There's just never much of a gap.

My directing is really weird. Everything is based on whether it's working or not. I don't try to fix something if it's not working, I'll just change it.

I always loved the work. As soon as I finished a movie, the most exciting thing to do was to try to jump into the next one. How I feel about it is that I learned a lot, so I'm grateful that I learned so much, at such a young age, rather than in my more adult professional career.

A lot of the people I'm working with are not actors, or it's their first time in a movie. I'm not trying to shape performances, coax performances out of them. It's more like I want to put them in situations that naturally work or allow them to be themselves. If it's not happening, I'll just completely switch it up, rather than trying to make it work.

I want to communicate with people, and I want to make something that works, and that people like. I'm never purposefully trying to be antagonistic or shocking or anything that would push an audience away. I'm always hoping to reach as many people as I can.