It's really easy to finish a movie and sort of immediately dive into the next one, because I love working with actors so much and being on set, my inclination is to try to get back to that as soon as possible. There's just never much of a gap.

There are different levels of scripting that we all use; I think I'm the most improvised of the three, and probably Andrew's the most written. But all of that is in pursuit of similar things, and I think that we kind of recognize that in each other.

The more that I work with people that I don't know, the more I invite somebody in who's potentially going to really hate being there.

It's really easy to finish a movie and sort of immediately dive into the next one, because I love working with actors so much and being on set, my inclination is to try to get back to that as soon as possible. There's just never much of a gap.

I do think there's a smaller audience that's looking for something that's a little more adult and a little more nuanced [than many Hollywood movies]. At the same time, I think everyone who's making movies hopes to appeal to the widest audience possible.

I think in general I personally have a tendency to protect other people's feelings, and I've noticed that becomes a major hindrance to communication. It's better to just be honest, even if it's painful.

Rather than look at a marriage as two people morphing into one thing, you could see two individuals who are choosing to form a partnership.