I don't want to force somebody to talk about sensitive subjects if they're not into it, but at the very least, even if that's happening off camera, it's allowing everybody to be on the same level, and creates an atmosphere on set that engenders trust.

There are different levels of scripting that we all use; I think I'm the most improvised of the three, and probably Andrew's the most written. But all of that is in pursuit of similar things, and I think that we kind of recognize that in each other.

During improvisations, I'll hear people bringing back up details from something I heard about at breakfast or something somebody was saying that they were thinking about, and it informs a rewriting of a scene.

For a lot of people, you get cramped making decisions together and living together and every other thing that starts to happen. I just think you have to be vigilant in the relationship to carve out space for yourself. And a lot of that requires knowing what you need and communicating that to your partner, which is hard.

I do some freelance web design stuff. I taught a directing class for this not-for-profit organization here in Chicago a couple months ago. I wrote a thing for Filmmaker Magazine a couple months ago. Occasionally, I'll get to go speak to students at a university and make a little money that way, which is great. I really like doing that.

I learn a lot as a director from acting in other people's films and just in general. I want to try and be as involved in the art of filmmaking as possible. I feel that the only way to really do that is to take on as many roles as possible, whether it be as an actor, an editor, a director, a cinematographer. Basically, I like to help and be involved, so anything anybody asks me to do, my first reaction is to say "Yes."

My relationship with my wife is fraught with all of the problems that any couples face, but there is a sense of humor that we have about it and a real desire to want to make it better.