The last TV show I binged on was 'Hannibal' because it stars two of my friends, Mads Mikkelsen and Hugh Dancy, who I first met filming 'King Arthur' back in 2003, and I just lapped this show up; loved it.

The biggest difference for me is momentum. On a smaller film you get to shoot sometimes four or five scenes a day and you've got to do the tight schedule. I think I really feel the luxuries of a big budget film.

I remember my brother Nash had just directed me in 'The Square,' and I was sitting in Australia going: 'No one's called me about working for ages. I don't know if I'm ever going to get another job.

I'm single, footloose and fancy free, I have no responsibilities, no anchors. Work, friendship and self-improvement, that's me.

I often times find with movies that the heavier the onscreen situation is, the more levity there is off screen. It's almost out of necessity.

I have always stuck to my guns about what I want from the work and what interests me. I've never been seduced down the evil path. The path of taking the money.

To act with a tennis ball and imagine it's a tentacle, or if you're in some kind of wilderness film and you go, 'Okay, we can't have a grizzly bear here, but imagine when you step over the rock there there's a grizzly bear.' I don't know. They're tough moments.