'The Killing' has a really great combination of qualities: Even though it's very sad and deals with mourning and grief, it's still exciting. It's about real people and it doesn't shy from the painful points of life.

You have a lot more leeway to be contradictory playing a character than most of the scripts have in them. That's how all actors are. We have so many different sides of ourselves and we're so different, in meeting with different people. The audiences relate more to that and find that more believable.

We all can relate to people's weaknesses. We might put up a facade that everything is perfect but none of us are. When we see that weakness in somebody else, we understand or give ourselves a little bit of leeway.

I сan't imagine how ROBOCOP could be PG-13.

I miss the Swedish women on the first day of spring cause they all just blossom in the most incredible way.

We don't know why we are here and . . . our role in the universe, and the thought of an infinite universe. It's something the human mind can't really grasp. [And] it's statistically impossible that there's not life on other planets.

I was meeting a lot of directors and reading scripts, and I was like, "Well, I'd love to play this part," but I couldn't.