If your gig is not in an office for eight hours a day, its going to be somewhere. If you're a truck driver, you get on a road. If you're a musician, you go to where the people are going to show up and you take the gig. I enjoy it, so I don't and I'm not complaining. Its just the traveling can get to be a bit much.

I have enough of a fan-base that I don't feel it is going to evaporate. I don't feel like I have a fleeting fan-base. I don't feel like it is coming from some trend-driven thing where I'm no longer going to be hip. I've come and gone through all that.

I hope people leave my show thinking they've had a worthwhile couple of hours. The worst thing you want is for people to think they've wasted their time or didn't get their money's worth.

When I'm recording a song, I wake up and I'm thinking about it. I go to sleep and I'm thinking about it.

My dad brings a deep-seated knowledge of the British folk genre, and a lot of my love for guitar playing comes from learning from him and his influences, which eventually became my influences.

That memory of making the record is a huge part of the record itself.

I've been really supported by my family and my wife. She really understands what I do, but it doesn't get any easier when you get away all the time and so I'm trying to find the balance.