Even the photographs of Henri Cartier-Bresson, with all due respect to him, are notoriously burned and dodged.

Even the photographs of Henri Cartier-Bresson, with all due respect to him, are notoriously burned and dodged.

The digital print is becoming the look of our time, and it makes the C-print start to look like a tintype.

The job of the color photographer is to provide some level of abstraction that can take the image out of the daily.

Photography has always been capable of manipulation.

Some people consider utopia to be derived from nature. For some people, utopia is the city.

Some of the people who are now manipulating photos, such as Andreas Gursky, make the argument - rightly - that the 'straight' photographs of the 1940s and 50s were no such thing. Ansell Adams would slap a red filter on his lens, then spend three days burning and dodging in the dark room, making his prints. That's a manipulation. Even the photographs of Henri Cartier-Bresson, with all due respect to him, are notoriously burned and dodged.