I got the script of Imperial Dreams from my agent. I was at home having a full English breakfast and the email came through in my junkmail. Funnily enough, I was paying a T-Mobile bill, so I was able to see the email. After that I was engaged in the story. I was scared - fearful - because the story doesn't just penetrate one level in terms of narrative; it goes that level after.

Id like to be in anything that tells a good story and has an interesting character.

I got the script of Imperial Dreams from my agent. I was at home having a full English breakfast and the email came through in my junkmail. Funnily enough, I was paying a T-Mobile bill, so I was able to see the email. After that I was engaged in the story. I was scared - fearful - because the story doesn't just penetrate one level in terms of narrative; it goes that level after.

You take your audience through such a story where they have to invest their energy and emotion, and to slap them in the face with, "Well, this is how life is. Bye," wouldn't have been as great as the ending that we have, which is optimistic and hopeful. It's not happy 100%, but it does make you feel like, "This kid may just be okay."

My dad's a Pentecostal minister, meaning that he's full of charisma. If he's telling a story about Noah's ark, you best know each tiger is going to be having their own little conversation and narrative.

I think what Robert Redford established is amazing; thank god for Robert Redford. He's set an amazing example with Sundance and I hope to follow that in my own way.

I'm a London fanatic. That's my city. I love being from there, you don't appreciate it until you go out.