I think that ultimately when life is not tragedy it should be a party and if you've faced the real stuff, if you've faced the ones closest to you being at death's door, passing on, you know, not to let the small stuff really harsh your mellow, as you put it.

Writing and acting are almost diametrically opposed in terms of being an actor it's in your interest to be in shape and to be healthy and to have a strong voice and to be flexible. As a writer you're sitting in this position for hours on end. You get up and you can't put your shoulder down. It's not a healthy existence so to speak and it's probably not healthy for the person that lives with you either, but you do the best you can.

There's also just socially, personally. There is something naughty about pot. There is something that is rebellious and outlawish and a kind of, you know, a finger in the eye of the government saying, hey, you can't tell me what to do. That would be gone if legalize it.

There's a lot of forces opposed to legalization marijuana, so I don't want to put the cart before the horse. It's looking like it's going the legalization route, which, you know, a lot of people thought it needs to for a long time outside of recreational and medicinal use, just for crime reasons. We're pumping our prisons full of petty weed offenses and it's partially to feed that industry, but it's not good. It's not good for society, people go in there as a minor criminal and come out as a real criminal.

I had a lot of fun with those guys from the Wall Street. The laughter is unlike most settings you'll find. The level of intensity, the adrenaline, the stakes are incredible. I mean it is addictive. I can understand why people end up spending 23 or 24 hours a day hitting it.

You're going to find the good people and bad all around.

I think that if you look at places like Amsterdam and places where pot is very legal they do well with it. There is nothing taken away from it and crime is very low and all that.