What it means to be a man is to take on all the emotional pain and work through what you got to work through with the people you love while at the same time getting your business done. And it's tough. I think that most children when they grow up they kind of realize that the things they didn't like about their parents or didn't understand about them they get now and that you know every year you get more responsibilities. You get more overhead. You get more things you got to take care off.

I remember talking to my dad about legalization in a book we did together called "The Big Empty." He was saying like, "Oh, no, no, as soon as it's legalized it will be ruined." "The corporations will get their hands on it. You'll have, you know, pot with vitamin C and, you know, 'Viagratized High Toke.'" You know different things like that. That it won't be, you know, they'll put chemicals into it. It won't be that pure plant that it is now. He may have a good point there.

My hope is that the film Wall Street 2 will actually serve as a way for us to bridge that gap between Wall Street and Main Street. Certainly that's dealt with in the film of how it does affect everybody, so, you know, I always find that when you can create a movie or a play or a book that gives somebody a safe theoretical place to discuss what is really going on in the day it tends to forward discussion, so that would be my hope coming out of the film.

My father, Norman Mailer, expected a lot from us and he really pushed us and you know one of his favorite lines was, "If you think I'm being hard on you, wait until life hits you because life is a hell of a lot tougher than I am." And I took everything he said to heart. He taught me how to write, which was scary and intimidating and hard, but ultimately one of the biggest gifts I could have ever asked for.

Work ethic is one of the biggest things my father taught me. That man worked like every day, every day, 9 to 5, well 9 to 9 in his case, but he would treat it as if it was a 9 to 5 job. He would clock in. He would put in his hours. That is how you can write those you know incredibly long books that unfortunately there is not much market for anymore, but that is also how you can explore an idea on a deeper level than we get in our media surface these days. It's tough.

I think that if you look at places like Amsterdam and places where pot is very legal they do well with it. There is nothing taken away from it and crime is very low and all that.

I think that Anderson Cooper does a great job of staying with stories and pushing them. New Orleans he really... He was there and he pushed it past the point where his producers were saying, "Listen, you've got to stop because people are tuning out now. You know, we're on to another disaster." You know, what do you worry about, Haiti, Chile, Turkey? What? You know where do you put your attention and your focus? So for one person to really be able to cover all that ground would be tough.