It was something that hopefully sparked a few people to do similar things down the road and will keep a certain flavor of magazine publishing alive. I have to say at the end of the day I am glad not to be spending all day, every day in the High Times office, you know, covering this particular angle of life.

There were so many different factions and that's I think what my father was taking issue with was the idea of, look, you can't go from male dominance to female dominance and expect anything to be better. We're all shits, ultimately, and we've got to do the best we can together.

My hope is that the film Wall Street 2 will actually serve as a way for us to bridge that gap between Wall Street and Main Street. Certainly that's dealt with in the film of how it does affect everybody, so, you know, I always find that when you can create a movie or a play or a book that gives somebody a safe theoretical place to discuss what is really going on in the day it tends to forward discussion, so that would be my hope coming out of the film.

I just I love telling stories and as long as I can make my living doing that in all the different mediums that I have been lucky enough to, that's enough for me.

As a screenwriter you're the towel boy in the whorehouse. I mean you know you're lucky if you're invited to set. It's kind of like here is the blueprint, go and that's you know there has been some debate as to whether or not a film should be by the director or by the screenwriter or by both.

Noam Chomsky is, in some ways, a victim of this new millennium we live in because you can't pull a sound bite from that guy and understand what he is talking about. You have to hear the whole paragraph. You have to hear the whole page. You've got to hear the whole conversation if you really want to understand it and that could change your life.

One of the things that sets Oliver Stone apart though is he is commercial. He is mainstream. He makes big movies and he is one of the last guys that can make big movies that actually have something to say, that you know challenge the audience in a way while entertaining them.