It was something that hopefully sparked a few people to do similar things down the road and will keep a certain flavor of magazine publishing alive. I have to say at the end of the day I am glad not to be spending all day, every day in the High Times office, you know, covering this particular angle of life.

Noam Chomsky is, in some ways, a victim of this new millennium we live in because you can't pull a sound bite from that guy and understand what he is talking about. You have to hear the whole paragraph. You have to hear the whole page. You've got to hear the whole conversation if you really want to understand it and that could change your life.

A company that was I think the one I learned the most from in Wall Street 2, just in terms of my own character in and the kind of firm he worked in, was John Thomas Financial. There it's like warriors in an arena getting ready for battle. Thomas Belesis just fires these guys up like there is no tomorrow, and I absolutely got addicted to that optimism and adrenaline and that "We're going to do it, we're going to do it, buddy" kind of attitude that he had.

One of the things that sets Oliver Stone apart though is he is commercial. He is mainstream. He makes big movies and he is one of the last guys that can make big movies that actually have something to say, that you know challenge the audience in a way while entertaining them.

I think that if you look at places like Amsterdam and places where pot is very legal they do well with it. There is nothing taken away from it and crime is very low and all that.

There's a lot of forces opposed to legalization marijuana, so I don't want to put the cart before the horse. It's looking like it's going the legalization route, which, you know, a lot of people thought it needs to for a long time outside of recreational and medicinal use, just for crime reasons. We're pumping our prisons full of petty weed offenses and it's partially to feed that industry, but it's not good. It's not good for society, people go in there as a minor criminal and come out as a real criminal.

My father probably taught me everything I know, aside from dialogue, which I think I get from my mom a lot more. He certainly didn't teach me everything he knew, but you know he has got this book out called "The Spooky Art," which is essentially an advanced book on writing and it's not... You know it's not ABC, but it's for people who feel that bug and know that they're writers and are willing to put in that time alone. Pretty much the vast majority of what he taught me you can find in that book.