I just I love telling stories and as long as I can make my living doing that in all the different mediums that I have been lucky enough to, that's enough for me.

We've been duped into believing we don't have 25 minutes to have something change our life. We don't have 2. You know, we're tweeting. We're running around. We're 15 words or less.

What's against legalization in a practical sense? A couple of college kids figured out how to take a hemp plant and turn it into newspaper and it was actually a better quality of paper. It was cheaper and if you plant hemp in a field it revitalizes the soil. You can grow food in a dirt lot if you do enough harvest of hemp. I don't pretend to know the specifics of the economics of it to say how much we'll be getting, but there is money to be made there that is not being made because it's illegal.

Whatever the reasons, 2008 it felt as though the combination of distribution models starting to tighten and the publishing and film and music industries having to revolutionize themselves to catch up, and understand how this is going to work in the new millennium has made it a lot easier to pursue multi-platform careers. It's much easier to hire one person who can do three or four different things than one specialist in that field.

If you're going to go into the movie business it is so full of heartbreak and you get so close and it doesn't happen and then once in a while it works out and it is the fantasy, like it is that dream. So riding the highs and lows of it you got to have an iron constitution and you got to be able to do what David Dinkins actually one said - "Well you know some days are good, some days are bad, but anytime there is a bad day I know the next day is going to be good and vice versa, so you just can't put too much stock in that moment."

I think that you know you have experts in fields who spend their life studying one thing. When an event goes on that chances are they're going to want that specific expert who has done it to be on the show talking about it, not a writer or an artist of any sort, which I think is a mistake because you know we don't have... I mean we have them, but there is certainly not you know in strong force public philosophers anymore.

Really there's different scales of stories. Sometimes you want to tell one that 20, 30, 40, 50 million people will want to see and hear. Sometimes you do one that you know 150 will want to see on one night. As long as you're telling the right story for the right audience and they're getting something out of it it's essentially the same feeling to me.