I'm probably most proud of the plays that I've written just because as the playwright, you know, you're God. You get to do everything. You don't make any money hardly at all, but you really get to kind of control the scene.

I had a lot of preconceived notions going in the Wall Street. It wasn't an industry that I really respected much. My feeling was kind of like look, you're not making anything. You're taking money from one place, putting it in another and taking your cut and that's just not really kind of soul-satisfying at the end of the day, but what I learned is, on a larger scale is how much the Wall Street industry funnels and fuels so many others. There is a lot of good that these guys do, and to lump all traders into a category is as insane as lumping any group of people into one category.

I mean I think one of the larger problems going on right now is, debate has replaced discussion. As I say you can't lump Wall Street into one category. That doesn't mean anything. Every firm has a different attitude and does different things and puts their cherries in certain places and their money in others. Some are vicious, nasty, I will cut you down at all costs to make a buck, some have a much higher moral standard.

I had a lot of fun with those guys from the Wall Street. The laughter is unlike most settings you'll find. The level of intensity, the adrenaline, the stakes are incredible. I mean it is addictive. I can understand why people end up spending 23 or 24 hours a day hitting it.

It was something that hopefully sparked a few people to do similar things down the road and will keep a certain flavor of magazine publishing alive. I have to say at the end of the day I am glad not to be spending all day, every day in the High Times office, you know, covering this particular angle of life.

I'm probably most proud of the plays that I've written just because as the playwright, you know, you're God. You get to do everything. You don't make any money hardly at all, but you really get to kind of control the scene.

Whatever the reasons, 2008 it felt as though the combination of distribution models starting to tighten and the publishing and film and music industries having to revolutionize themselves to catch up, and understand how this is going to work in the new millennium has made it a lot easier to pursue multi-platform careers. It's much easier to hire one person who can do three or four different things than one specialist in that field.