The truth is that filmmaking is not really an actor's medium; it's really a director's medium, so all I can really control is the character that I'm playing. So I try to look for characters that are interesting and engaging and different than what I've done before and hopefully it becomes a good movie.

People say, 'Don't you get tired of people coming up to you all the time?' But what's wrong with strangers saying they love you?

I love card games, and I've always loved board games and stuff like that as a kid, and I think it's that part of your brain that's engaged in con movies. It's like this 'Who's outsmarting whom?'

Being unprepared makes me nervous. I'm old-fashioned show folk.

Once you become tagged as anything, it becomes difficult to shake it, because the less imaginative people in the business want you to do what worked for the last guy. That's always been something I've had to deal with.

I was a founding member of the 'Dungeons and Dragons' club at my high school. I was in chorus, I was in swing choir. I was an outcast but I was an outcast among a group of outcasts.

I actually envy actors who have a persona: 'This is the way I am. This is the part I play.' And do it over and over and over. To me, that's a lot easier than trying to reinvent yourself every six months.