The act of listening is in fact an act of composing.

My work became an exploration of non-intention.

Combine nursing homes with nursery schools. Bring very old and very young together: they interest one another.

Which is more musical: a truck passing by a factory or a truck passing by a music school?

If something is boring after two minutes, try it for four. If still boring, then eight. Then sixteen. Then thirty-two. Eventually one discovers that it is not boring at all.

To see, one must go beyond the imiagination and for that one must stand absolutely still as though at the center of a leap.

I needed another basis for musical structure. This I found in sound's duration parameter, sound's only parameter which is present even when no sound is intended.