A finished work is exactly that, requires resurrection.

After I had been studying with him for two years, Schoenberg said, ‘In order to write music, you must have a feeling for harmony.’ I explained to him that I had no feeling for harmony. He then said that I would always encounter an obstacle, that it would be as though I came to a wall through which I could not pass. I said, ‘In that case I will devote my life to beating my head against that wall.’

Each moment presents what happens.

With just one musician, you can really do an unlimited number of things on the inside of the piano, if you have at your disposal an exploded keyboard.

If this word "music" is sacred and reserved for eighteenth and nineteenth century instruments, we can substitute a more meaningful term: organization of sound.

The first question I ask myself when something doesn't seem to be beautiful is why do I think it's not beautiful. And very shortly you discover that there is no reason.

People paying attention to vibratory activity, not in reaction to a fixed ideal performance, but each time attentively to how it happens to be this time, not necessarily two times the same. A music that transports the listener to the moment where he is.