In the studio you have pretty much carte blanche with whatever you're doing. You can turn natural instruments into electronic instruments.

When somebody grabs a movement, you're kind of locked into it. It's all par for the course.

I like what the future holds. I don't like thinking about the past.

I'm impatient. I get twitchy. When I get that feeling I just go out and make something happen.

In the studio you have pretty much carte blanche with whatever you're doing. You can turn natural instruments into electronic instruments.

Time plays a role in almost every decision. And some decisions define your attitude about time.

What I enjoy most about being on stage is that the natural instruments give you a greater freedom with texture. When you use natural instruments they have their own resonance.