I like it here in New York. I like the idea of having to keep eyes in the back of your head all the time.

I like it here in New York. I like the idea of having to keep eyes in the back of your head all the time.

I learn from thinking about the future, what hasn't been done yet. That's kind of my constant obsession.

The only reason we wore sunglasses onstage was because we couldn't stand the sight of the audience.

In the studio you have pretty much carte blanche with whatever you're doing. You can turn natural instruments into electronic instruments.

There was a time where I was the youngest one in any group, and now when I turn around sometimes, I'm the oldest one in every group. It just seemed to flip-flop one day - it wasn't a gradual thing.

In cities like New York and Austin, there's much more of a social context for music than in other places.