I like it here in New York. I like the idea of having to keep eyes in the back of your head all the time.

I'm writing a movie about Mozart going to New York in the '60s. I've been reading so many novels.

We gave up on the idea of trying to make the record a good representation of the live performance.

In the studio you have pretty much carte blanche with whatever you're doing. You can turn natural instruments into electronic instruments.

The avant-garde makes more sense to me.

If you're all loaded up on love, you haven't got anywhere else to go.

If I'm interested in what I'm doing, other people will be interested in it.