If you're all loaded up on love, you haven't got anywhere else to go.

In the studio you have pretty much carte blanche with whatever you're doing. You can turn natural instruments into electronic instruments.

We gave up on the idea of trying to make the record a good representation of the live performance.

I like what the future holds. I don't like thinking about the past.

In cities like New York and Austin, there's much more of a social context for music than in other places.

I learn from thinking about the future, what hasn't been done yet. That's kind of my constant obsession.

That's what my life is, writing songs.