In cities like New York and Austin, there's much more of a social context for music than in other places.

People sort of know me for that solo piano music I did.

We gave up on the idea of trying to make the record a good representation of the live performance.

I learn from thinking about the future, what hasn't been done yet. That's kind of my constant obsession.

The avant-garde makes more sense to me.

In cities like New York and Austin, there's much more of a social context for music than in other places.

I like what the future holds. I don't like thinking about the past.